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Reflexivity. Critical themes in the Italian cultural tradition
Essays by members of the Department of Italian at University College London, 2000
a cura di Prue Shaw - John Took
Il Portico n. 119
pp. 228, ISBN 88-8063-263-9    € 24.00

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Preface – J. Foot, ‘La gente e il buon costume’: Luchino Visconti’s «Rocco e i suoi fratelli», Censorship and the Left in Italy, 1960-1961 – R. Lumley, American Influences in the Visual Arts in Italy in the 1960s – J. Dickie,Reflections on Literary Myths of Sicily in the wake of the ‘caso Sciascia’ – E. Tandello, Giacomo Noventa, Heine, and the language of poetry – A.-L. Lepschy, Pirandello’s Verga - Prue Shaw, The intentional fallacy and Benedetto Croce – G. Lepschyand H. Sanson, Native speaker – E. Palandri, L’individuo romantico – J. Lindon, Foscolo as literary critic, Dilwyn Knox, An arm and a leg: Giordano Bruno and Alessandro Citolini in Elizabethan London – G. Aquilecchia, Yet another aspect of Bruno’s poetics: the conception of the ‘poetic impresa’ – J. Took, Cino da Pistoia and the poetics of sweet subversion – C. Fahy, Bibliography and Italian Studies.